Poetry (Print)

The Bennington Review (forthcoming): “Andromeda”
The Georgia Review (forthcoming): “California Avenue,” “The Oilers,” & “Winterberries”
The American Poetry Review (2023): “Laramie” & “Marshall Beach with Anonymous”
ZYZZYVA (2023): “Delphiniums” & “Transcript: Stacy Dillon Speaks to His Lover”
Best New Poets (2022): “Sight of Love”
Copper Nickel (2022): “In Gunsight”
Image (2022): “Nightmare on Fountain Run Road”
The Kenyon Review (2022): “Blue Peony,” “Century Flower,” & “USA Today Says the Pacific Coast Highway is Falling into the Ocean”
The Missouri Review (2022): “Black Hole in the Long Island Sound”
The Raleigh Review (2022): “Stripping”
The Cincinnati Review (2021): “Monarch” & “False Indigo”
Crazyhorse (2021): “Sight of Love”
The Common (2020): “Berlin (Eulogy I)”
New England Review (2020): “White Orchid”
The Pushcart Prize Anthology (2020): “Draft / Mouth”
AGNI (2019): “Still” & “Queens of Nights”
Best New Poets (2018): “A Mouth with Nothing to Say”
West Branch (2018): “Polari”
Copper Nickel (2017): “Broadcast: Morning After”
Crazyhorse (2017): “Boy Saint” & “Silverthorne”
Los Angeles Review (2017): “Coda”
Pleiades (2017): “Makeshift Cathedral”
Poetry Northwest (2017): “Testimony (Aubade)” & “Gods & Monsters”
Tin House (2017): “Aphelion” & “Reliquary (August)”
Best New Poets (2016): “The Newcomers”
Cimarron Review (2016): “Obey”
Columbia Poetry Review (2016): “Sweet Gnash”
Harpur Palate (2016): “Welcome to Newton, Iowa” & “Self-Portrait with Benelli M4”
Hayden’s Ferry Review (2016): “The Newcomers”
Nimrod (2016): “The Chiffon Game”
Salt Hill Journal (2016): “Petrichor”
Southeast Review (2016): “Midnight in Findlay, Ohio”
Southern Indiana Review (2016): “After-Hours”
Washington Square Review (2016): “Salt Lake City, 2011”
Bayou Magazine (2015): “Notes on Tumbleweed”
Copper Nickel (2015): “Call to Worship,” “Harvest Elegy,” & “In Defense of Driftwood”
Indiana Review (2015): “Silo”
The Journal (2015): “Basilica”
Redivider (2015): “Elpenor [I]”
Zone 3 (2015): “Doe”
Best New Poets (2014): “Peter”

Poetry (Online)

Poetry Daily (2022): “USA Today Says the Pacific Coast Highway is Falling into the Ocean”
Verse Daily (2022): “False Indigo”
The Common (2020): “Reliquary (June)”
TriQuarterly (2019): “Homosexual Panic: David Self & William Simpson”
Grist: A Journal of Literary Arts (2018): “Revlon” & “Season in Which I Have No Body”
Massachusetts Review (2018): “Bruise Music”
Willow Springs (2018): “Draft / Mouth”
Florida Review Online (2017): “Crepuscule”
The Collagist (2017): “A Mouth with Nothing to Say”
Baltimore Review (2016): “Smoking Magnum, 1991”
Birdfeast (2016): “Forever Light”
Nashville Review (2016): “Dart”
Tinderbox Poetry Journal (2016): “The Infinity Movement” & “Serrate”
Tupelo Quarterly (2016): “Effigy”
TYPO (2016): “God of Compassion, In Mercy Befriend Us”
Waxwing (2016): “Tempe” & “Turbulence”
Beloit Poetry Journal (2015): “Viscera”
Cream City Review (2015): “Foal Song”
DIAGRAM (2015): “Composition” & “Photo—”
Diode Poetry Journal (2015): “Every Gravity” & “The Forest Called Human”
Linebreak (2015): “Testimony (Eclipse)”
Ninth Letter Online (2015): “Invocation” & “The Lakeswept”
Sixth Finch (2015): “Gust”
Thrush Poetry Journal (2015): “Elpenor [II]”
Hobart (2014): “Atlanta Story,” “Current,” & “Field Sermon #21: On Abstinence”
PANK (2014): “Belmont,” “Elegy with Hundreds of Legs,” “Digging Season,” “Helen Keller Discover Reflections,” & “Reverse Ode: November”
Thrush Poetry Journal (2014): “From the Still”
Vinyl Poetry (2014): “Dream in a Discarded Room,” “Gladiolus,” & “Polaroid”
DIAGRAM (2013): “Seaglass”

Prose

Poets & Writers (2021): Peter LaBerge of the Adroit Journal Recommends...
Adroit Journal (2017): Interview with Ruth Awad, author of Set to Music a Wildfire (SIU Press, 2017)
Kenyon Review Online (2017): Review of Max Ritvo’s Four Reincarnations (Milkweed Editions, 2016)
Adroit Journal (2016): Interview with Brett Fletcher Lauer & Lynn Melnick, eds. of Please Excuse This Poem (Penguin Books, 2015)
Adroit Journal (2016): Interview with Garrard Conley, author of Boy Erased (Riverhead Books, 2016)
Colorado Review (2016): Review of Joanna Klink’s Excerpts from a Secret Prophecy (Penguin Poets, 2015)
Harvard Review (2016): Review of Ocean Vuong’s Night Sky with Exit Wounds (Copper Canyon Press, 2016)
Southeast Review (2016): Review of Saeed Jones’s Prelude to Bruise (Coffee House Press, 2015)
Adroit Journal (2015): Review of Timothy Liu’s Don’t Go Back to Sleep (Saturnalia Books, 2014)
Iowa Review (2015): Review of Richie Hofmann’s Second Empire (Alice James Books, 2015)
PANK (2015): Review of Danez Smith’s [insert] boy (YesYes Books, 2014)
Southeast Review (2015): Review of Tarfia Faizullah’s Seam (SIU Press, 2014)
Boxcar Poetry Review (2013): Interview with Will Schutt, author of Westerly (Yale University Press, 2013)